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Katie Dale-Everett reflects on her Pebble Trust Flourish Bursary

Stepping into new territories is always a nerve racking thing to do and having the opportunity to have two mentoring sessions working with Justine Reeve a dance artist who has extensive experience working in educational settings, developing and devising dance resources and curriculums and producing dance works on and for young people has been immensely valuable in helping me to find my path for development and new perspectives. At a time where the jump start created through the support of organisations including South East Dance has developed multiple new experiences for me to digest and consider, the guidance that this support offered has also helped me consolidate progression decisions for my company.

As an artist currently independently choreographing and producing my work, these sessions taught me the value of sharing and discussing, for sitting down with a coffee and making time to connect with others, the importance of slowing down and taking a breath and most importantly planning thoroughly. From discussing working with producers, learning how to say ‘no’, following your heart rather than your head, connecting with educational settings, writing down company values, creating a three year plan, list making, day set ups and treating myself to a new library of books, I now feel that I am able to see the light more brightly at the end of the tunnel and that I know how to plan the steps needed to get me there.

As well as developing new techniques in planning, these sessions have reminded me to allow time for change and flexibility to happen. Although we did discuss the key ideas of my new work and how to work with my target audience, theses mentoring sessions surprised me in their ability to make me look at my whole working process in a new way, enabling me to learn how to walk before I run in order to keep my car on the road and the waters clear. It is all in the planning!

Library:

1.Show Your Work, Austin Kleon,
2.The Creative Habit : Learn It and Use it for Life, Twyla Tharp
3.The 4-Hour Workweek:  Escape 9-5, Live Anywhere, and Join the New Rich, Timothy Feriss

Katie is Artistic Director of Katie Dale-Everett Dance who make cross-genre choreographic works and community projects

Words by Artistic Director Katie Dale-Everett

Source_South East Dance Blog

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OurFutureCity feature a blog post by Artistic Director Katie Dale-Everett!

In October 2017, Our Future City collaborated with South East Dance and Artswork to run the #BeCollective event: Our Digital Wellbeing. Digital/Dance artist, Katie Dale-Everett was amongst them who shared her story of working and volunteering with several arts organisations, within and beyond the city.

My name is Katie Dale-Everett and I am a freelance cross-genre choreographer, teacher and creative arts producer based in the South East. Graduating from Falmouth University with a first class degree in Choreography in 2014, I have been building up a repertoire of choreographic works, teaching opportunities, (working in educational settings or with hard to reach groups) and producing projects that have a positive impact on people’s lives, as well as managing my own dance company Katie Dale-Everett Dance. On Thursday October the 12th 2017 I spoke about my practice at the Our Digital Wellbeing #BeCollective event organised by South East Dance, Our Future City and Artswork and programmed as part of the Brighton Digital Festival. Read on to find out more about what was discussed.

Culture and the arts is something that I have always been interested in growing up, with a particular focus on dance and the impacts that the form can have on health, confidence, interaction and as a way to open up conversation on issues affecting people in my community as well as world-wide. I therefore got involved with South East Dance at a young age, taking part in their Moving Voices project, a large scale youth led volunteering programme for 16-25 year olds across the South East of England whilst still at college. As part of this project I managed the dance stage, workshop area and the South East Dance stall for the TAKEPART Festival of Sport and Physical Activity and received funding to put on a dance extravaganza fundraiser at Komedia Brighton for the Red Cross Society Haiti earthquake appeal (2010).

Since graduating, South East Dance’s support has continued and has been a large contributing factor to helping me to get to where I am in my career today. From coming on board as a Production Partner for Rebecca Dale-Everett and my Ignition Random Acts Network Commission (a scheme for 16-25 year olds who show promising talent in film creation) Digital Tattoo: Artefact 1 (which you can watch here), supporting me through the South East Dance Emerging Artist Programme 2015 – 2016 which included introducing me to working with a dramaturge for the first time and most recently co-programming three of my works: Digital Tattoo: Artefact 1 (film), Digital Tattoo (live dance and projection work) and Conversations About the Digital (audio, participatory work) in the Brighton Digital Festival at The Attenborough Centre for the Creative Arts (see tour trailer here).

So how does the digital fit into my practice? I often call myself a digital dance artist (with my first Arts Council England grant being to develop myself as a digital dance artist), however at this stage in my career I would not call myself technical and I am certainly not incorporating as much digital technology into my work as a lot of other artists (although this is a future interest). At this stage the digital for me in relation to my work means exploring choreographic formats, both in the body and within digital containers and making work that explores and questions privacy, control, the Right to be Forgotten and interaction in our increasingly digitalised society, from the personal story to that of different communities and demographics. One of my earliest worries when beginning to delve into this area was that I was not technical enough, however I was given the following great advice from Ju Row Farr (Blast Theory) whilst taking part in their volunteer scheme (2015): Not having a complete understanding of the technology you work with is where the exciting and unthought of can happen. I am therefore excited about what my future work within these enquires will generate and what I may discover.

2017 was a career progressing year for Katie Dale-Everett Dance, in which I received two lots of Arts Council England National Lottery Funding. These funds were to redevelop two of my works and tour three works for the first time on a small scale tour to new and established, rural and urban venues across the South East and West of England and to carry out a weeks residency at The Point’s Creation Space to begin to research and develop a new work for 11-16 year olds which I am planning to complete this year. I also received Ignition Catalyst funding alongside Rebecca (Kabecca Films) to make a new dance on screen exploring age, memory and dance, which will begin being screened from March 2018 and have more recently been made an Associate Artist of The Point 2018/19. I am therefore very excited about what 2018 may bring and how my journey of exploring the digital, dance and their relationship to my community will develop.

Source_OurFutureCity

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Katie Dale-Everett Dance becomes an Associate Artist of The Point 2018/19

Today The Point, Eastleigh announces its new wave of Associate Artists for 2018/19. The four selected artists, working across contemporary dance, family theatre and circus, will work closely with the venue over a 12 month period of structured support.

The Point’s flagship Associate Artist scheme offers artists and companies – working across all disciplines – the opportunity to work closely with the venue to grow their practice and develop as a professional company or practitioner. The scheme was created to nurture emerging companies and early-career artists, offering mentorship and providing key contacts and performance opportunities, as well as space to develop new work. The venue’s Creative Programme Producer (Dance) Vicki Hargreaves said:

“We were inundated with applications this year, and after some particularly creative interviews we have selected, what we think, are four extremely talented companies to work with and nurture. The Associate Artist programme offers these company’s the support needed to aid them in their company development and future projects and I for one am very excited for the year ahead!”

The Point’s 2018/19 Associate Artists are puppetry company House of Stray Cats, circus artist Grania Pickard, the family focussed Filskit Theatre, and contemporary dance artist Katie Dale-Everett Dance.

Katie said: “I am extremely grateful to The Point for selecting Katie Dale-Everett Dance to become one of their new Associate Artists. It is a dream come true! I am looking forward to working closely with The Point’s community whilst challenging myself as an artist. To work connected to an organisation that chooses to give time and space to support artist’s unique individual pathways for growth and development is very special and I can’t wait to get started.”

The Point’s Associate scheme is one of three core support systems available at the venue, put in place to aid and nurture artists and companies at different stages in their professional careers. The venue works closely with their cohort of Supported Artists and this year welcomes five @HOME artists as part of its NPO four year cycle. Previously the venue has supported Luke Brown, a contemporary dance practitioner who makes and tours his own work and performs with established companies including Frantic Assembly; award-winning cabaret company Milk Presents; and the internationally-renowned Theatre Re.

As Associate Artists for 2018/19, the four selected companies will receive vital mentoring and developmental support from The Point’s creative team including access to the venue’s on-site Creation Space, allowing them time in residence to create new touring work. The four companies will also be involved in community outreach projects, delivering workshops and engaging the wider local residents in the Borough.

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Katie Dale-Everett Dance Supported by DanceEast!

Katie Dale-Everett Dance are excited to share that Phase 2 of research and development for our new piece for 11-14 year olds and their parents and teachers will be taking place at DanceEast in the Easter holidays.

During their time at DanceEast, the company will be working with local young people to explore incorporating younger people within research & development processes, with a particular focus on incorporating an extended cast into the new work.

‘DanceEast are happy to confirm its support of Katie Dale-Everett’s new work for which we have offered her the use of  studio space for the development of the piece. We look forward to continuing to develop a relationship with the company.’

Helen Dawson

Producer (Performances & Events)

How to get involved:

Workshops Information:

Dates: Wednesday 4th to Friday 6th April 2018
(Ideally it would be useful for the young people to commit to all three days, however if you are interested, there is some flexibility on this so please do get in touch with your availability.)

Time: 09.30 – 16.30

Ages: 11-16yrs

Location: DanceEast, Jerwood DanceHouse, Foundry Ln, Ipswich IP4 1DW Price: Free

The sessions will include company class, exploration of the choreographic process, a Q &A with the company, opportunity to give their own experience of using social media and an opportunity to perform to parents and DanceEast staff on the Friday afternoon.

Places are limited and are available on a first-come first-serve basis. To book your place, please email katie@katiedale-everettdance.co.uk with your name, age, contact number and availability.

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Katie Dale-Everett Dance receives the South East Dance’s Pebble Trust Flourish Bursary

Having gained support from The Point, a highly regarded arts organisation/venue and the Arts Council England National Lottery Funding, in October 2017 Katie Dale-Everett Dance has been ‘Experimenting with approaches to creating work for younger audiences & exploring privacy in today’s social media obsessed society’. Phase 1 consisted of a 5 day residency in The Point’s Creation Space where she worked with 6 professional dancers, 2 recent graduates and a group of young people.

The South East Dance Pebble Trust Flourish Bursary is supporting the next phase of development of this work by providing our Artistic Director Katie the opportunity to be mentored by Justine Reeve.

Reeve has extensive experience working in educational settings, developing and devising dance resources and curriculums for established institutions like Sadler’s Wells. She has also successfully produced dance work on and for young people.

Watch out for Katie’s reflection on her time working with Reeve in March!

Katie Dale-Everett Dance would like to thank South East Dance and The Pebble Trust.

 

 

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Young people’s digital wellbeing_Lorna Palmer

I recently attended an event focused on children and young people’s digital wellbeing as part of the Brighton Digital Festival. ‘Our Digital Wellbeing’ was led by Our Future City, South East Dance and Artswork as part of the #BeCollective networking series. For me, the most interesting and thought-provoking moment was being introduced to Katie Dale-Everett, a young woman who refers to herself as a ‘Digital Dance Artist’.

Katie recently completed a film ‘Digital Tattoo’, for The Space, as part of a commission for Channel 4 Random Acts. Through the film she asks her audience to imagine a scenario where all the content we post on social media appears indelibly inked on our torsos like a digital tattoo. At the same time, Katie has been touring to raise awareness among young people, through her film and eloquent sharing of experiences, about the importance of privacy in an online world.

It certainly made me stop to think about the quantity and value of detail I share.

Inspired by a Ted Talk of the same name by academic Juan Enriquez, ‘Digital Tattoo’ looks at the exposing nature of online, but also the permanence of our data, which is likely to outlive the flesh, symbolically shown through film projection onto the body. ‘Digital Tattoo’ hopes to remind its audience of the permanence and uncontrollable nature of online and to encourage them to think before sharing/posting/uploading.

As part of her presentation Katie talked about ‘The Right to be Forgotten‘ – a European Court ruling offering the right to have information disappear from searches made within Europe. Katie shared some alarming true stories of individuals trying and failing to remove detail about themselves from the web.  Under the EU Data Protection Directive, data controllers like Google are now required to remove data, as requested by an individual, that is ‘inadequate or no longer relevant’.

Katie also raised the point that the UK is currently leading the way in Tech Education, but that we are failing when it comes to educating young people in digital wellbeing. Take Estonia, a close second in Tech Education, but where they have a much more refined and comprehensive approach to online security and to educating their young people about digital technology. Estonia recognises that digital habits begin young. At birth, every person is assigned a unique string of 11 digits, a digital identifier that becomes key to operating almost every aspect of that person’s life—the 21st-century version of a social security number. Estonian children learn computer programming at school, many starting in kindergarten. Developing awareness from a young age is a key priority of Estonia’s Cyber Security Strategy. In 2011, Estonia created ‘web constables’ to teach personal cyber security to protect children and young people online. The Information Technology Foundation for Education, or HITSA, offers training to pre-school children, as well as parents and teachers alike.

It’s clear we, in the UK, still have a long way to go. From the issues highlighted by Katie’s work and Estonia’s precedent, we can learn creative and innovative ways of highlighting the dangers of digital technology and implementing solutions that can guide our children from birth. We also need to think much more about responsible technology to affect how people develop and deliver services, especially for our young people.

Finally, Katie also made a key point that to young people, herself included, everything is digital. Older generations may talk about ‘digital safety’ or ‘digital privacy’ etc. but to the generation who have never known life without the web, it’s ALL DIGITAL.

Lorna Palmer_unthinkable_5th December 2017

Source-unthinkable

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37% of Kabecca Films Crowdfunder raised in first day! Find out why you might want to donate!

Kabecca Films makes up Katie Dale-Everett (Artistic Director of Katie Dale-Everett Dance) and Rebecca Dale-Everett (Film) and was founded earlier this year, following the success of their former film ‘Digital Tattoo: Artefact 1’ which was commissioned by the Ignition Random Acts Network Centre in partnership with the Arts Council and Screen South. The film has toured across the UK as part of Playback, screening at venues such as Leeds Music Festival and ICA, is distributed on Channel 4’s Random Acts website and made-up part of Katie’s choreographic tour entitled ‘Digital Tattoo’ which went to leading arts venues such as the Attenborough Centre for the Creative Arts.

Having been part funded by the Screen South Ignition Catalyst fund to create a new short film ‘Twenty, Forty, Sixty’ to be distributed to leading arts/dance venues in 2018, they are now running a crowdfunder to raise the remaining £650 needed to complete the film. In its first day (12th December) they raised 37% of their target!

About ‘Twenty, Forty, Sixty’:

‘Twenty, Forty, Sixty’ will preserve the memories of a sixty-two-year-old lady and her relationship with dance. From the dance halls of the 1960s to the present day it offers a unique perspective on the evolution of dance and it’s ability to connect individuals and delay ill health. We’re keen to give a voice to those who are underrepresented and hope to legitimise the older body through this film.

To find out more about about the film and how you might be able to help whether that is by donating or sharing the campaign please visit our fundraiser page here.

Thank you!

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Artistic Director Katie and her film collaborator Rebecca receive Ignition Catalyst Funding!

Having worked together to make Digital Tattoo: Artefact 1, a short film acquired by Channel Four, touring to multiple leading venues across the UK as part of the Playback Tour and as part of Katie Dale-Everett Dance’s touring programme , we are pleased to announce that we have received Ignition Catalyst funding to make a new film ‘Twenty, Forty, Sixty’.

Awarded by Screen South.

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ACE funded residency at The Point Collaborators

Katie Dale-Everett Dance will be commencing a new research and development process for a children’s work at The Point next week!

Find out about her collaborators here: 

ANTONIO DE LA FE:

Antonio is a choreographer and performer with a background in physiotherapy. After coming relatively late to dance and initially studying in Madrid, he moved to London and completed an MA in performance with EDge at The Place in 2010. Since then he has danced for Hamish MacPherson, Florence Peake, Dog Kennel Hill Project, Matthias Sperling, Eva Recacha and Riccardo Buscarini. His choreographed works include Place Prize finalist 2011 Cameo, an open OPENLAB: a hybrid and his Unrehearsed Series, including CROCODILE and Make Me Cool.

EMMIE COXEY: 

Emmie trained at London Contemporary Dance School graduating in 2014. She then continued her training as a member of postgraduate company VERVE15. Performing and touring with VERVE15 she had the pleasure of working with Kerry Nicholls, Theo Clinkard, Luca Silverstrini and various other guest teachers. Emmie is very interested in collaborative-based work combining dance with various other performance styles such as theatre, film, story-telling, live music, set design and installations. She has performed in various projects with Hawk Dance Theatre, while also beginning to explore her own work as a dance artist.

JONATHAN MEWETT:

After graduating from the University of Chichester with a First Class (Hons) degree in Dance, Jonathan toured as a member of postgraduate company MapDance, performing works by Richard Alston, Kevin Finnan, Liz Aggiss and Lila Dance. Alongside KDE Dance, Jonathan has been performing in a series of duets by Tony Adigun, Corey Baker, Annie-Lunnette Deakin-Foster and Sally Marie as part of C-12 Dance Theatres international outdoor tour Secret Encounters. Jonathan is particularly interested in improvisational performance and work that is of a multidisciplinary nature.

 

SOPHIA SEDNOVA:

Sophia Sednova grew up in New York City where she began her physical training as a competitive gymnast and then began her dance training at the Peridance Capezio Center. She later attended The University of Iowa receiving a BFA in Dance. She then attended London Contemporary Dance School for her postgraduate diploma and MA with EDge Postgraduate Dance Company 2014-2015.She has performed extensively throughout Europe as part of her tour with EDge, and participates in the Florence Dance Festival annually. She has worked with, Itamar Serussi, Robert Clark, Eleesha Drennan, Danae Morfinou, Pietro Pireddu, Arianna Benedetti and many more.

Katie Dale-Everett Dance are also offering two placement opportunities during the residency for recently graduated dancers.

CLAIRE HACKSTON:

Having started ballet and modern classes at a young age, Claire was first introduced to contemporary dance when she started training with Swindon Dance CAT. She then went on to perform with Hampshire Youth Dance Company and the English Youth Ballet before gaining a place at London Contemporary Dance School. Whilst attending LCDS Claire performed works choreographers such as Lea Anderson, Richard Alston, Hofesh Shechter and Liz Aggiss. She has also worked with Rosemary Lee and OperaUpClose.

KIM STARK:

Kim started her training at The Royal Ballet School, during her five years as White Lodge, Kim has performed at The Royal Opera House in different productions as well as performing at Buckingham Palace. Kim then joined Rambert School to pursue contemporary dance. Kim has worked with choreographers such as Mark Baldwin, Edit Domoszlai, Didy Veldman and Deborah Adefioye.

She is also working with Dramaturge MIRANDA LAURENCE: 

Miranda is a dance producer and dramaturg with ten years’ experience working as a producer/project manager in the dance sector, including roles with Oxford City Council, DanceXchange, Oxford Dance Forum, Crossover Intergenerational Dance Company, Anjali Dance Company, Scarabeus Aerial Theatre, and South East Dance. She has been Arts Development Officer for South Oxfordshire District Council at Cornerstone arts centre since 2012. 

In 2015 she began developing her practice as a dance dramaturg, and has worked with a number of artists including Anja Meinhardt, Joelle Pappas, Cecilia Macfarlane, Paulette Mae, Noelia Tajes, Jennifer Stokes, Hayley Matthews, and Jaivant Patel. In summer 2017 she was also accredited as a Relational Dynamics life coach. Other recent projects include a pop-up artist residency exploring intergenerational dance practice at Annantalo children’s arts centre, Helsinki, in collaboration with Cecilia Macfarlane, and Miranda’s one-year-old daughter Ruth.

She has been supported financially for dramaturgy work by South East Dance through the TEST workshop and the Collaborate programme (funded by Jerwood foundation), and by Oxford Dance Forum through the Evolution programme. She has recently been awarded public funding from the National Lottery by Arts Council England towards her professional development as a dance dramaturg.

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Katie Dale-Everett Dance awarded 3rd Arts Council England National Lottery funding!

 

Katie Dale-Everett Dance are pleased to announce that we have been awarded our second Arts Council England National Lottery funding in 2017 (3rd ever)! This is to develop a new work for children during a residency at The Point, Eastleigh in October 2017, working with 4 professional dancers, two recent graduates and a dramaturge!

If you are a young person aged 10-16 and interested in dance you can get involved. Contact us to find out more: katie@katiedale-everettdance.co.uk